Showing posts with label Elvin Jones. Show all posts
Showing posts with label Elvin Jones. Show all posts

30 November, 2013

Elvin Jones - Puttin' It Together (1968)

Elvin Jones - Puttin' It Together (1968)
jazz | 1cd | eac-flac-cue-log-cover | 235MB
BN CDP 7 84282 2
Allmusic:
Joe Farrell (heard on this CD reissue on tenor, soprano and flute) did some of his finest playing while with drummer Elvin Jones' trio during 1968-69. Joined by bassist Jimmy Garrison (in one of his first post-Coltrane recordings), Farrell really digs into group originals, obscurities, "For Heaven's Sake," and Jimmy Heath's "Gingerbread Boy." With Jones pushing him and Garrison sounding quite advanced, Farrell was consistently inspired to play at the peak of his creativity.

Tracks
-1. "Reza" (Ruy Guerra, Edu Lobo) - 7:14
-2. "Sweet Little Maia" (Jimmy Garrison) - 7:54
-3. "Keiko's Birthday March" (Elvin Jones) - 6:55
-4. "Village Greene" (Billy Greene) - 5:13
-5. "Jay-Ree" (Joe Farrell) - 3:52
-6. "For Heaven's Sake" (Elise Bretton, Sherman Edwards, Donald Meyer) - 5:10
-7. "Ginger Bread Boy" (Jimmy Heath) - 5:18

Personnel
* Elvin Jones - drums
* Joe Farrell - tenor saxophone, soprano saxophone, flute, piccolo
* Jimmy Garrison - bass

 

23 August, 2013

Elvin Jones - Elvin! (1962)

Elvin Jones - Elvin! (1962)
jazz | 1cd | eac-flac-cue-log-cover | 250MB
OJC
Allmusic:
Drummer Elvin Jones' first full-length album as a leader (reissued on CD in the OJC series) is different than one would expect when it is taken into consideration that he was a member of the fiery John Coltrane Quartet at the time. This sextet session, which also includes his brothers Thad and Hank on cornet and piano in addition to flutist Frank Wess, Frank Foster on tenor, and bassist Art Davis, is straight-ahead with a strong Count Basie feel. Jones is still recognizable on the fairly obscure material (only "You Are Too Beautiful" qualifies as a standard) and shows that he can cook in the fairly conventional setting. All of the musicians are in fine form, and two selections feature the rhythm section as a trio.

Tracks
-1. "Lady Luck" (Jones, Frank Wess) - 6:19
-2. "Buzz-At" - 6:31
-3. "Shadowland" (Sara Cassey) - 4:06
-4. "Pretty Brown" (Ernie Wilkins) - 3:30
-5. "Ray-El" - 8:03
-6. "Four and Six" (Oliver Nelson) - 5:01
-7. "You Are Too Beautiful" (Lorenz Hart, Richard Rodgers) - 4:20
All compositions by Elvin Jones except as indicated

Personnel
Elvin Jones - drums
Thad Jones - cornet (tracks 1-3, 5 & 7)
Frank Wess - flute (tracks 1-3, 5 & 7)
Frank Foster - tenor saxophone (tracks 1-3 & 5)
Hank Jones - piano
Art Davis - bass

 

12 January, 2011

Bobby Jaspar - With George Wallington & Idrees Sulieman (1957)

Bobby Jaspar - With George Wallington & Idrees Sulieman (1957)
jazz | 1cd | eac-flac-cue-log-cover | 225MB
OJC limited edition
Allmusic:
This CD reissue, which adds "The Fuzz" to the original six-song LP, is a fine showcase for Bobby Jaspar and acts as an excellent introduction to his playing. A mellow-toned tenor and a fluent flutist who was quite bop-oriented, Jaspar is featured with pianist George Wallington, bassist Wilbur Little, drummer Elvin Jones, and (on three numbers) trumpeter Idrees Sulieman. The majority of the tunes (other than "My Old Flame" and "All of You") are originals by group members, straight-ahead tunes with good blowing changes. Recommended.

Tracks
-1 "Seven Up" Jaspar 9:00
-2 "My Old Flame" Coslow, Johnston 6:01
-3 "All of You" Porter 5:55
-4 "Doublemint" Sulieman 6:52
-5 "Before Dawn" Wallington 6:14
-6 "Sweet Blanche" Wallington 5:40
-7 "The Fuzz" Jaspar 6:12

Personnel

Bobby Jaspar (flute, tenor saxophone);
Idrees Sulieman (trumpet);
George Wallington (piano);
Elvin Jones (drums).
Wilbur Little (bass)

15 December, 2010

Pepper Adams - 10 to 4 at the 5 Spot (1958) (eac-log-cover)

Pepper Adams - 10 to 4 at the 5 Spot (1958)
jazz | 1cd | eac-flac-cue-log-cover | 220MB
OJC
Allmusic:
In 1958, Pepper Adams and Donald Byrd were pivotal members of a sextet led by Chicago tenor saxophonist Johnny Griffin. They also formed their own quintet with fellow Detroiters Doug Watkins and Elvin Jones, and the then-rising star Bobby Timmons as the fifth wheel. This album, one of the first club dates recorded for the Riverside label, may have presented logistic problems with the acoustics, mic placements, and reel to reel tape technology, but there were no such issues with the extraordinary music contained on this effort. A tight, in tune and exciting ensemble, Adams and Byrd laid it all out for this single 39-minute set of modern jazz at the Five Spot Café in New York City. The symmetry between the witty and raw baritone sax of Adams and Byrd's stirring and sometimes strained trumpet is the stuff of legends, and the hallmark of the bop to hard bop era. Contained on this album are two definitive all-time great selections -- "The Long Two/Four" and especially "Hastings Street Bounce" -- the former with a march intro from Jones setting up a sharp staccato hard line melody with trumpet fills and the precise comping of Timmons, the latter a definitive groovy soul strut shuffle with one of the more hummable and memorable melodies ever, both pieces featuring rousing solos, and both tracks over ten minutes of jam power. Their theme "'Tis" penned by Thad Jones is a short, clipped unison bop which is a bit off minor, and showcases the unique instrumental voices of the frontmen. "Yourna," written by Byrd, and the standard "You're My Thrill" are the ballads tossed in for good measure and they showcase a yearning trumpet or somber pining baritone respectively. There's a palpable sense of democracy, shared values, and above all, balance in this band of expert modern jazz pioneers. It's a keeper, and one of the best recordings of any band in this era. The liner notes written by producer Orrin Keepnews suggests this was a "full night's work," perhaps for him and the band, as the "10 to 4" represents their time on the bandstand -- with breaks -- from 10 p.m. to 4 a.m. This gig reportedly lasted for nearly two months during the spring of 1958, so isn't there anything else in the can to supplement what is here?

Tracks:
-1 'Tis (Theme) 5:42
-2 You're My Thrill 4:55
-3 The Long Two/Four 10:27
-4 Hastings Street Bounce 11:08
-5 Yourna 7:00

Personnel:
*Baritone Saxophone - Pepper Adams
*Bass - Doug Watkins
*Drums - Elvin Jones
*Piano - Bobby Timmons
*Trumpet - Donald Byrd (tracks: 1, 3 to 5)

30 November, 2010

Elvin Jones & Richard Davis - Heavy Sounds (1967) (20-b SBM)

Elvin Jones & Richard Davis - Heavy Sounds (1967)
jazz | 1cd | eac-flac-cue-log-cover | 265MB
Impulse! | 20-bit SBM
Allmusic:
For this CD reissue, an Impulse! session co-led by drummer Elvin Jones and bassist Richard Davis was brought back by MCA. Tenor saxophonist Frank Foster and pianist Billy Green complete the quartet, which performs an erratic but generally interesting set of music including "Shiny Stockings," Foster's funky "Raunchy Rita," and "Elvin's Guitar Blues"; the latter briefly features Jones making his first and only appearance on guitar. The music is essentially advanced hard bop but is not all that essential. [The 1999 CD reissue is a 20-bit remaster.]

Tracks:
-1. "Raunchy Rita" 11:32
-2. "Shiny Stockings" 5:10
-3. "M.E." 2:37
-4. "Summertime" 11:35
-5. "Elvin's Guitar Blues" 3:25
-6. "Here's That Rainy Day" 7:02

Personnel:
* Frank Foster, tenor saxophone (except on #4)
* Billy Greene, piano (except on #2 and #4)
* Richard Davis, bass
* Elvin Jones, drums;guitar (on intro of #5 only)
* Produced by Bob Thiele

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